The first looks from the set of The Devil Wears Prada 2 are out, and while the fashion press has rushed to decode the clothing, it’s the eyewear that deserves a closer, more editorial glance. Filmed across Manhattan in late July and early August 2025, the sequel is already setting up a legacy of power dressing—frame first. From Miranda’s sharply sculpted shields to Nigel’s precision optics, these Devil Wears Prada 2 sunglasses are telling the story long before the dialogue hits the screen.
Meryl Streep’s Jimmy Choo Shades: The Return of Editorial Ice
Meryl Streep’s Miranda Priestly doesn’t just walk into the frame—she slices through it. In one of the first on-set sightings, Streep is seen commanding the lens in a pair of jet-black Jimmy Choo sunglasses, their bold geometry sharpening her presence like punctuation. Paired with a peach Sa Su Phi trench, leather cognac skirt, Tod’s belt, and Gucci slingbacks, the look is textbook Miranda: curated, authoritative, untouchable.
The choice of Jimmy Choo is no accident. These aren’t trend-chasing frames—they’re tools of fashion dominance. Oversized and dramatic, they obscure just enough to remind us who holds power. They echo the styling philosophy of Miranda herself: never reveal more than you must. The eyewear becomes her mask, her crown, her editorial weapon of choice.
Andy Sachs and the Evolution of Eyewear Intelligence
Anne Hathaway’s Andy Sachs no longer plays the outsider. Judging by her frames, she’s grown into someone who wears fashion—not someone trying to keep up with it. On set, she rotates between sleek black Barton Perreira sunglasses and refined Oliver Goldsmith frames—two labels known for their blend of heritage and discretion.
The Barton Perreira frames lean architectural: squared, matte, intellectual. They sit easily atop Andy’s restructured wardrobe—Sacai midi skirts, Aritzia vests, muted neutrals—suggesting a woman who knows the rules well enough to bend them. The Oliver Goldsmith look, meanwhile, feels cinematic: a touch of London lineage, a wink to film history, and an embrace of high-low contradiction. For Andy, eyewear is no longer armor—it’s fluency.
Emily Charlton’s Dior Frames Mean Business
If Emily Blunt’s character was once the harried assistant in heels, she’s now the woman who signs the contracts. Her frames confirm it. On set, Blunt was seen in sculptural Dior sunglasses with oval lenses and assertive logos. Their presence is immediate—much like Emily’s new role as a fashion executive, rumored to be working for the very house she’s wearing.
Her look, including a Wiederhoeft bustier and pinstriped Jean Paul Gaultier trousers, evokes the precision of Paris Fashion Week street style, but never slips into costume. These are real-world power pieces, and the eyewear is the signature at the bottom of that style statement. No longer shouting to be heard, Emily’s sunglasses now say everything for her—clearly, cleanly, definitively.
Nigel’s Tom Ford Consistency
Stanley Tucci’s Nigel Kipling hasn’t changed—and that’s exactly the point. His eyewear remains firmly rooted in sharp, classic Tom Ford design. During a museum gala scene, he’s seen in thick black opticals that anchor his taupe plaid three-piece suit with the elegance of a seasoned fashion editor who no longer needs to prove anything.
Tom Ford frames don’t scream. They whisper credentials. They tell us Nigel still controls his corner of the empire, still mentors the chaotic brilliance of Runway’s talent, still sees everything. His glasses are less about style shifts and more about stylistic foundation. He is, and always has been, the lens through which Miranda’s empire is refined and focused.
Devil Wears Prada 2 Sunglasses as Fashion Language
Across the board, eyewear in The Devil Wears Prada 2 isn’t just an accessory—it’s semiotics. It tells us who’s observing, who’s commanding, who’s evolving. The costume team, reportedly led again by Patricia Field protégés, understands this intimately. Each pair was selected not for trend compliance, but narrative clarity.
In a cultural moment where sunglasses are more than sun protection—where they’re identity, deflection, and status—the film positions eyewear not as garnish but grammar. These Devil Wears Prada 2 sunglasses are chapters in character development. We know Miranda’s silence is sharper behind Choo lenses. We recognize Andy’s restraint in Barton Perreira minimalism. Emily’s Dior frames cut deals as much as silhouettes. And Nigel’s Tom Fords? They’re legacy with hinges.
A Scene Already Stolen
According to Page Six, the wardrobe from the sequel is already trending, from the designer bags to the sockless loafers. But it’s the eyewear that lingers. Expect fashion TikTok to go wild with dupe IDs, vintage resellers to spike prices, and designer waitlists to swell. Before anyone speaks, the sunglasses have already made the statement.
One thing’s clear: The Devil Wears Prada 2 knows that in 2025, what you wear on your face is the clearest signal of who you are—or at least, who you want the world to believe you are.
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